{"id":379,"date":"2010-09-27T10:38:02","date_gmt":"2010-09-27T09:38:02","guid":{"rendered":"http:\/\/blogs.erg.be\/communication_3\/?p=379"},"modified":"2010-09-27T10:39:12","modified_gmt":"2010-09-27T09:39:12","slug":"aby-warburg-latlas-mnemosyne","status":"publish","type":"post","link":"http:\/\/blogs.erg.be\/communication_3\/?p=379","title":{"rendered":"Aby Warburg, l&rsquo;atlas Mnemosyne"},"content":{"rendered":"<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-380  aligncenter\" title=\"full\" src=\"http:\/\/blogs.erg.be\/communication_3\/wp-content\/uploads\/2010\/09\/full.jpg\" alt=\"full\" width=\"720\" height=\"477\" srcset=\"http:\/\/blogs.erg.be\/communication_3\/wp-content\/uploads\/2010\/09\/full.jpg 1200w, http:\/\/blogs.erg.be\/communication_3\/wp-content\/uploads\/2010\/09\/full-300x198.jpg 300w, http:\/\/blogs.erg.be\/communication_3\/wp-content\/uploads\/2010\/09\/full-1024x678.jpg 1024w\" sizes=\"auto, (max-width: 720px) 100vw, 720px\" \/><em>Mnemosyne-Atlas, Boards of Rembrandt-Exhibition, 1926<\/em><\/p>\n<p><strong>Rapprochements dissociatifs<\/strong><\/p>\n<p>\u00abAvant toute chose,\u00a0<em>Mnemosyne<\/em> est un dispositif photographique. (\u2026)<\/p>\n<p>Tel \u00e9tait bien, pour Warburg, l\u2019atlas\u00a0<em>Mnemosyne <\/em>: une fa\u00e7on d\u2019avoir \u00ab sous la main \u00bb toute une multiplicit\u00e9 d\u2019images, un outil pratique pour \u00ab sauter \u00bb facilement de l\u2019une \u00e0 l\u2019autre. (\u2026)<\/p>\n<p>Il sait la folie de son projet initial : avoir voulu penser toutes les images ensemble avec toutes leurs relations possibles. (\u2026)<\/p>\n<p>Chaque montage \u00e0 l\u2019\u0153uvre dans\u00a0<em>Mnemosyne<\/em> lib\u00e8re, me semble-t-il, ce genre de paradoxes : les disparit\u00e9s manifestes sont presque toujours les marqueurs de liens latents, et les homologies manifestes sont presque toujours les marqueurs d\u2019antinomies latentes. \u00ab Monter des images \u00bb, ici, ne rel\u00e8ve donc jamais d\u2019un artifice narratif pour unifier les ph\u00e9nom\u00e8nes \u00e9pars mais au contraire, un outil dialectique o\u00f9 se scinde l\u2019unit\u00e9 apparente des traditions figuratives en Occident. (\u2026)<\/p>\n<p>les manuscrits r\u00e9dig\u00e9s parall\u00e8lement \u00e0 la constitution de l\u2019atlas viennent appuyer cette pratique des \u00ab rapprochements dissociatifs \u00bb et d\u00e9constructifs \u2013 c\u2019est-\u00e0-dire\u00a0<em>analytiques<\/em> au sens fort \u2013 caract\u00e9ristique du montage warburgien.(\u2026)<\/p>\n<p>la forme de\u00a0<em>montage<\/em> inaugur\u00e9e dans Mnemosyne tend \u00e0 d\u00e9passer la disposition canonique du\u00a0<em>tableau<\/em> comparatif, dans la mesure m\u00eame o\u00f9 une forme non orthodoxe de dialectique, une\u00a0<em>dialectique prolif\u00e9rante<\/em>, vient remplacer toute vell\u00e9it\u00e9 de\u00a0<em>dialectique unifiante<\/em> (\u2026).\u00bb<\/p>\n<p><a href=\"http:\/\/www.leseditionsdeminuit.eu\/f\/index.php?sp=livAut&amp;auteur_id=1524\">Georges Didi-Huberman<\/a>,\u00a0<em>L\u2019image survivante<\/em>, 2002, \u00e9ditions de Minuit.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mnemosyne-Atlas, Boards of Rembrandt-Exhibition, 1926 Rapprochements dissociatifs \u00abAvant toute chose,\u00a0Mnemosyne est un dispositif photographique. (\u2026) Tel \u00e9tait bien, pour Warburg, l\u2019atlas\u00a0Mnemosyne : une fa\u00e7on d\u2019avoir \u00ab sous la main \u00bb toute une multiplicit\u00e9 d\u2019images, un outil pratique pour \u00ab sauter \u00bb facilement de l\u2019une \u00e0 l\u2019autre. (\u2026) Il sait la folie de son projet initial : avoir voulu penser toutes les images ensemble avec toutes leurs relations possibles. (\u2026) Chaque<\/p>\n<div class=\"read-more\"><a class=\"btn read-more-btn\" href=\"http:\/\/blogs.erg.be\/communication_3\/?p=379\">Read More<\/a><\/div>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,9,8],"tags":[],"class_list":["post-379","post","type-post","status-publish","format-standard","hentry","category-briefing","category-etudiants","category-informations"],"_links":{"self":[{"href":"http:\/\/blogs.erg.be\/communication_3\/index.php?rest_route=\/wp\/v2\/posts\/379","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blogs.erg.be\/communication_3\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blogs.erg.be\/communication_3\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blogs.erg.be\/communication_3\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/blogs.erg.be\/communication_3\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=379"}],"version-history":[{"count":2,"href":"http:\/\/blogs.erg.be\/communication_3\/index.php?rest_route=\/wp\/v2\/posts\/379\/revisions"}],"predecessor-version":[{"id":382,"href":"http:\/\/blogs.erg.be\/communication_3\/index.php?rest_route=\/wp\/v2\/posts\/379\/revisions\/382"}],"wp:attachment":[{"href":"http:\/\/blogs.erg.be\/communication_3\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=379"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blogs.erg.be\/communication_3\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=379"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blogs.erg.be\/communication_3\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=379"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}